The Third Time’s The Charm!

Three Promises_CoverBishop O’Connell has published his third book with Harper Voyager, US. His knowledge and love of Faerie lore form a magical backdrop for all three volumes. He weaves the beauty and terror of Faerie into our own world making us look at our lives and our history through a lens of his own making, a lens frosted with just a bit of faerie dust!

Let me introduce Bishop, an excellent writer and friend:

Three Promises: An American Faerie Tale Collection is my third book. It’s a compilation of short stories—technically three short stories and a novella—and while I’ve always struggled with short fiction, that wasn’t the case here. These stories seemed to write themselves, and the characters truly shine. In my previous books, The Stolen & The Forgotten (available anywhere books are sold) the stories drove the characters. In Three Promises, the opposite is true. There’s no child to rescue, no shadowy enemy snatching kids off the street, and you get to see the characters for who they are. I was worried they wouldn’t stand on their own, but I think they didn’t just stand, they soared I really liked my characters before; now, I love them. I hope you will, too.

Here’s a sample from one of the short stories, “The Legacy of Past Promises”:

Elaine stared at the painting. While her body didn’t move, her heart and mind danced in the halls of heaven. The depth and intensity of mortal passion was astounding to her, and her ability to experience it through art was like a drug. The heavy silence that filled her vast loft was broken by the high-pitched whistle of the teakettle. Elaine extricated herself from the old battered chair, which was so comfortable it should be considered a holy relic. She crossed her warehouse flat to the kitchen area, purposely stepping heavily so the old hardwood floor creaked. She smiled at the sound. It was like a whisper that contained all the memories the building had seen. Unlike the fae, the mortal world was constantly aging. But for those who knew how to listen, it sang of a life well lived in every tired sound. The flat took up the entire top floor of a warehouse that had been abandoned in the early 1900s. She owned it now and was its only permanent tenant. The lower floors of the five-story building were offered as a place to stay to the fifties—half-mortal, half-fae street kids, unwelcome in either world—she knew and trusted. But with all the unrest in Seattle, she was currently its only occupant.

She turned off the burner and the kettle went quiet. Three teaspoons of her personal tea blend went into the pot. The water, still bubbling, went next. The familiar and comforting aroma filled the air, black tea with whispers of orange blossom. Light poured in from the south-facing wall of floor-to-ceiling windows. But she ignored the view of the Seattle skyline. The twenty-foot ceiling was constructed of heavy wooden beams and slats, broken only by the silver of air ducts, a relatively recent addition. The floor was oak, original to the building but well maintained over the years, as were the exposed bricks of the walls and pillars. The flat was large, 5,000 square feet of open space, sparsely furnished with secondhand pieces. They had been purchased so long ago, they were technically antiques now. But she looked past all that to the paintings that covered the walls, collected over centuries and not always through strictly legal means. Nearly every school was represented by at least one piece. Her eyes followed the heavy strokes of a Van Gogh, thought lost by the general public. The emotions and impressions left behind by the artist washed over her. The melancholy and near madness, the longing and love, all mixed together like the colors of the painting itself.

The smell of her tea, now perfectly brewed, broke her reverie. As she poured tea into a large clay mug, her gaze settled on a Rossetti. Elaine smiled as she remembered seeing the painting come to life. Gabriel Rossetti—Elaine could never bring herself to think of him as Dante, it was such an absurd name—had captured Jane’s beauty spectacularly. Jane Morris had been a truly beautiful mortal; it was no wonder Gabriel so often chose her as a model.

Elaine carried the mug back to her chair, sank into the plush cushions, and hit play on the remote. Vivaldi’s Cello Concerto no. 4 in A Minor filled the space. She closed her eyes, letting the music fill her soul. The mournful cello danced with the playful harpsichord. She sipped her tea, opened her eyes, and her gaze fell upon another painting, the one she’d almost lost. Unwanted memories rose to the surface—and just like that, she was back in France, deep in the occupied zone.

The war—or more correctly, the Nazis—had mostly turned the once beautiful countryside and small villages to rubble. The jackbooted thugs had marched with impunity, leaving only death and destruction in their wake

Even now she could almost hear the voices of her long-dead friends.

 Êtes-vous attentive?”

Elaine blinked. “Pardon?

François narrowed his eyes. “I asked if you were paying attention,” he said, his French heavy with a Parisian accent. “But you answer my question anyway, yes?”

There were snickers from the collection of men, scarcely more than boys, gathered around the table and map.

“Sorry,” Elaine said, her own carefully applied accent fitting someone from the southern countryside. “You were saying a convoy of three German trucks will be coming down this road.” She traced the route on the map with her finger. “And this being one of the few remaining bridges, they’ll attempt to cross here. Did I miss something?”

François turned a little pink, then a deeper red when the chuckles turned on him. When Paul offered him the bottle of wine, François’s smile returned, and he laughed as well.

“Our little sparrow misses nothing, no?” he asked, then took a swallow of wine before offering her the bottle.

Elaine smiled and accepted.

Six hours later, just before dawn, the explosives had been set and the group was in position. She sat high in a tree, her rifle held close. Despite having cast a charm to turn the iron into innocuous fae iron (a taxing process that had taken her the better part of three weeks), she still wore gloves. On more than one occasion she’d had to use another weapon, one that hadn’t been magically treated.

As the first rays of dawn touched her cheeks, she had only a moment to savor the sublime joy of the morning light. Her keen eyes picked up the telltale clouds of black diesel smoke before she ever saw the vehicles. She made a sparrow call, alerting her fellow resistance fighters.

A thrush sounded back.

They were ready.

Elaine hefted her rifle and sighted down the barrel, her fingertip caressing the trigger. She watched the rise, waiting for the first truck to come into view.

Her eyes went wide and her stomach twisted when she saw the two Hanomags, armored halftrack personnel carriers, leading the three big trucks. That was two units, more than twenty soldiers. She made another birdcall, a nightingale, the signal to abort.

The thrush call came in reply, repeated twice. Proceed.

“Fools,” she swore. “You’re going to get us all killed.”

She sighted down the rifle again and slowed her breathing. They were outnumbered almost three to one and up against armor with nothing but rifles and a few grenades.

“Just an afternoon walk along the Seine,” she said. Of course Germany now controlled Paris and the Seine, so maybe it was an accurate comparison.

The caravan crawled down the muddy road, inching closer to the bridge. Looking through the scope, she watched the gunner on the lead Hanomag. His head was on a swivel, constantly looking one way then another. Not that she could blame him. This was a textbook place for an ambush.

The first Hanomag stopped just shy of the explosive charges.

Her heart began to race. Had they spotted it? No, it was buried and the mud didn’t leave any sign that even she could see. No way could these mortal goose-steppers have—

An officer in the black uniform of the SS stepped out of the second Hanomag, flanked by half a dozen regular army soldiers. Elaine sighted him with her scope, noted her heartbeat, and placed her finger on the trigger.

The tingle of magic danced across her skin as the officer drew a talisman from under his coat. “Offenbaren sich!” he shouted.

There was a gust of wind, and the leaves on the trees near her rustled. She whispered a charm and felt it come up just as the magic reached her. The spell slid over her harmlessly. Her friends weren’t so lucky. A red glow pulsed from the spot where the explosives had been set, and faint pinkish light shone from six spots around the convoy.

Aus dem Hinterhalt überfallen!” the officer shouted and pointed to the lights.

The gunners on the Hanomags turned and the soldiers protecting the officer took aim.

Merde,” Elaine cursed, then sighted and fired.

There was a crack, and the officer’s face was a red mist.

Then everything went to hell.

Soldiers poured from the trucks and the Hanomags, the gunners turned their MG-42s toward the now-fading lights marking François and the others. The soldiers took cover behind the armored vehicles and divided their fire between her and her compatriots. She was well concealed, so most of the shots did nothing more than send shredded leaves and bark through the air. Only a few smacked close enough to cause her unease.

Elaine ignored them and sighted one of the MG-42 gunners.

Vive la France!” someone shouted.

Elaine looked up just in time to see Paul leap from cover and charge at the soldiers, drawing their attention and fire. She watched in horror as the Nazi guns tore him to shreds. Somehow, before falling, he lobbed two grenades into one of the armored vehicles. There came a shout of panic from inside the Hanomag and seconds later came two concussive booms. Debris flew up from the open top of the halftrack and the shouts stopped.

François and the others took advantage of Paul’s sacrifice, moved to different cover, and started firing. A few Nazi soldiers dropped, but the remaining MG-42 began spraying the area with a hail of bullets.

Elaine gritted her teeth and fired two shots; both hit the gunner, and he fell. This again drew fire in her direction.

The fight became a blur after that. She took aim and fired, took aim and fired, over and over again, pausing only long enough to reload. It wasn’t until she couldn’t find another target that Elaine realized it was done, and all the Nazis were dead or dying.

She lay on the branch for a long moment, until the ringing in her ears began to fade. When she moved, a sharp pain in her shoulder brought her up short. More gingerly, she shifted and saw tendrils of white light filled with motes of green drifting from her shoulder. At the center was a growing blossom of gold blood. She rolled and dropped from the tree, landing only slightly less gracefully than normal. Still, the jolt made the pain jump a few numbers on the intensity scale.

She clenched her jaw, hefted her rifle, and carefully inspected the scene. The Germans were all dead, but the driver of one of the Hanomags was still alive. He took a couple shots at her with his Luger, but he’d apparently caught some ricochets or shrapnel because he didn’t even come close. Elaine put him down with a shot through the viewing port.

“Please, help me,” someone said in bad French.

Elaine spun to see a German soldier lying on the ground. He was little more than a kid, maybe sixteen; it didn’t even look like he’d started shaving. She just stared at his tear-filled eyes, blood running down his cheek from the corner of his mouth. He had at least half a dozen holes in his chest. He was already dead, he just didn’t know it.

Ja,” she said.

Dank—

His thanks were swallowed by the loud report of the rifle as she put a bullet between his eyes. There was nothing she, or anyone else, could’ve done for him. She wiped tears away and muttered a curse at Hitler and his megalomaniacal plans.

After double-checking that all the soldiers were dead, Elaine made her sparrow call. Her mouth was so dry, the call was hardly recognizable.

Only silence answered her.

Swallowing, she hardened her heart and went to where François and the others had been taking cover. She couldn’t bring herself to look down at the bloodied mess that had been Paul. She just kept walking. Her rifle fell to the ground, then she went to her knees, sobbing, covering her mouth with her good hand.

They were dead, which wasn’t a surprise, but it didn’t make finding them any less heartbreaking. Rémy was almost unrecognizable. If it wasn’t for his blond hair, now matted with blood—Elaine’s stomach twisted and she retched to one side. Michel, Julien, Daniel, Christophe, and Christian were in slightly better shape, for the most part. Julien’s left arm had been chewed up by the machine gun, and Christophe’s torso had been ripped open, allowing his insides to spill out. Elaine sobbed and turned to François. His rifle had been discarded and his pistol was still clutched in his left hand, two fingers having been shot off his right.

Sadness mixed with anger, and she screamed curses at him.

“You arrogant fool!” she said between sobs. “Why didn’t you just call off the operation? You got them all killed!”

It wasn’t long before Elaine grew numb inside. She used her fae healer’s kit to remove the bullet from her shoulder, and a liberal smearing of healing ointment numbed the pain enough to give her almost full use of her arm again. Lastly, she set the pinkish, putty-like dóú craiceann over the wound, sealing it like a second skin. She’d never been much of a healer herself, but she got the job done. With effort, and still careful of her wounded shoulder, she dragged Paul into the cover to join his brothers-in-arms. Elaine whispered a charm and the earth drew itself up and over her friends. A moment later, lush green grass covered the seven mounds.

Adieu, mes amis,” she said softly.

 

The ebook is only $0.99 (and how can you not buy a $0.99 book?), but if you preorder the paperback (releases 1/8/16 and is only $3.99) from The Fountain Bookstore, not only will it be signed, but you’ll get an exclusive gift. As a nice bonus, you can also order signed copies of The Stolen and The Forgotten while you’re there, and don’t worry, they ship worldwide.

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PAPERBACK RELEASE DAY!!

Paperback publication day for Among Wolves

Posted by Rachel Winterbottom on Nov 19, 2015 in Voyager UK | 0 comments

It’s publication day for the paperback of Nancy K. Wallace’s fable-based fantasy AMONG WOLVES! We’ve already had some really lovely reviews in of this French-inspired tale:

‘I had a fantastic time with Among Wolves. I tore through the book wanting to discover what would happen to Devon, Armand, Marcus, Gaspard and the rest. Wallace has created an interesting world to set her story in and the political machinations make for a strong plot … I very much enjoyed this first instalment in the Wolves of Llisé series and I can’t wait to rejoin our intrepid heroes to find out how their story continues’ A Fantastical Librarian

The history of Llisé and its fifteen provinces are a peaceful affair, filled with harmony, resolution and a rich oral tradition of storytelling. Nothing untoward ever happens in this peaceful land. Or does it?

Among Wolves final Cover

 

Trainee archivist Devin Roché has just taken his finals at the prestigious Académie. As the sixth son of the ruler of Llisé, his future is his own, and so he embarks on an adventure to memorize stories chronicling the history of each province.

As Devin begins his journey with only his best friend Gaspard and their guardian Marcus, he hears rumors of entire communities suddenly disappearing without a trace and of Master Bards being assassinated in the night.

As the three companions get closer to unearthing the truth behind these mysteries, they can’t help but wonder whether it is their pursuit that has led to them.

But if that is the case, what do Llisé and Devin’s father have to hide?

 

You can purchase AMONG WOLVES in paperback here or as an ebook here (or for $3.99 in the US!).

Find Nancy on Twitter @FairySockmother and on Facebook at www.facebook.com/fairysockmother

For more information on Among Wolves and the Wolves of Llisé series check out https://www.facebook.com/wolvesofllise and http://amongwolves.net/

Also available from: http://www.bookdepository.com with free international shipping

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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November

I track November’s sun as it skims the southern November-Fall-4horizon. Where once it set behind our orchard in the northwest in June, it now sets behind the barn in the southwest, never high enough in the sky to generate any real heat. Today the sky is all grays and golds, spectacular rain clouds with sun gilding their occasional edges. It holds promise of something more than just a gray November day.

Yesterday on my way home, I saw a valley adrift with yellow Norway Maple leaves. I wanted to jump out of the car and run through them, throw their golden splendor above my head and feel it fall around me, like a child. Where else can one find gold unguarded and just waiting to be enjoyed?

Along the back driveway, the air is moist and earthy with the smell of decaying leaves, a smell so primal that it draws me into the woods unexpectedly, in shoes and clothes not designed for an adventure. The stark black tree trunks rock in the wind against the gray sky behind them. A solitary sassafras sprinkles the forest’s neutral tones with scarlet, orange, and gold. Near the blackberries, a cluster of sumacs offers their flaming compound leaves in a last explosion of riotous color. Then a gust of wind sends leaves whirling and branches cracking. Whipping through the spruce trees, it has the distinctive sound of the old year coming to an end, and the promise of snow, and darkness, and cold.

But today offers beauty enough for me to explore the woods on this fall day on the verge of winter. Soon, December will bring its own quiet beauty and the assurance of a New Year where the seasons will complete their circle of splendor once again for us to enjoy!

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5 STARS TO BROOKE JOHNSON’S THE BRASS GIANT

Brass Giant

Bold, confident writing introduces Petra Wade a shop girl, who dreams of being an engineer in a wonderfully complex steampunk Great Britain where only men may enroll in the University. Her natural talent brings her to the attention of Emmerich Goss, a young engineer, who enlists her help in constructing a secret project for the Guild. Petra soon becomes entangled in a web of lies, politics, and espionage. Johnson’s skill in describing machines and how they work is incredible, but she is equally adept at writing tenderly realistic love scenes. Add in brilliant cover art and this book has something for everyone!

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Ellwood librarian Nancy Wallace has six more books published – Ellwood City Ledger: Local News

Local author Nancy Wallace has done it again. In September, the youth services coordinator at the Ellwood City Area Public Library had her second set of children’s theater books published.

Source: Ellwood librarian Nancy Wallace has six more books published – Ellwood City Ledger: Local News

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Darkhaven by A. F. E. Smith

Cover_image_DARKHAVEN_AFE_SmithFlorentyn Nightshade, ruler of Darkhaven, doesn’t hide his disappointment with his children. Myrren, his pure-bred heir, cannot Change into one of the fearsome beasts who rule Darkhaven with an iron hand and Ayla, his half-bred daughter, can Change but her beast is an inferior hybrid. When Florentyn asks Ayla to usurp Myrren’s place, Ayla rebells and her father incarcerates her beneath the castle. Myrren loves his sister and takes matters into his own hands on the same night that a terrible murder takes place in Darkhaven, throwing his sister under suspicion and driving her away from her home. Wonderful world-building reminiscent of Seraphina draws the reader in but it is the superb characterization that marks this fantasy for success! Fans will be wildly anticipating the sequel!

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GRAYNELORE by Stephen Moore

GrayneloreExceptional cover art draws the reader into the world of Rogrig Wishard, a hardened Reiver and a crude and ruthless warrior. He owes his loyalty to his clan, who are the only family he knows. He lies for them, steals for them, kills for them. He has no sensibilities, nothing to appeal to for mercy until one day on the battlefield, he faces something greater than himself, something so unexplainable and unexpected that he is left reeling, never to be the same again. This novel deftly juxtapositions brutality against tenderness through Rogrig’s unique and compelling “voice.” His story stands out as both exceptional and memorable! Moore’s unique style presents something unusual and outstanding in fantasy literature!

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DESERT RISING by Kelley Grant

Desert RisingA rich, exotic, culture forms the backdrop for this expertly concocted mixture of murder, romance, and intrigue.  When Sulis, the daughter of a merchant, accepts her calling to dedicate her life to the Temple, she leaves behind her twin and confidante, Kadar. They are not so much separated by distance but by the cultural restrictions that surround Temple pledges. But before long, Sulis finds herself deeply involved in the machinations of Temple politics unsure who she can trust except for the feli who has bonded with her, the great cat, Djinn.

A rich, exotic, culture forms the backdrop for this expertly concocted mixture of murder, romance, and intrigue.  When Sulis, the daughter of a merchant, accepts her calling to dedicate her life to the Temple, she leaves behind her twin and confidante, Kadar. They are not so much separated by distance but by the cultural restrictions that surround Temple pledges. But before long, Sulis finds herself deeply involved in the machinations of Temple politics unsure who she can trust except for the feli who has bonded with her, the great cat, Djinn.

A rich, exotic, culture forms the backdrop for this expertly concocted mixture of murder, romance, and intrigue.  When Sulis, the daughter of a merchant, accepts her calling to dedicate her life to the Temple, she leaves behind her twin and confidante, Kadar. They are not so much separated by distance but by the cultural restrictions that surround Temple pledges. But before long, Sulis finds herself deeply involved in the machinations of Temple politics unsure who she can trust except for the feli who has bonded with her, the great cat, Djinn.

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IN CONVERSATION: Fantasy Authors Nancy K. Wallace and Stephen Moore

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As part of #VirtualVoyager – a week-long celebration of Harper Voyager’s digital authors and their books, I had the good fortune to talk with my fellow author, Stephen Moore, from across the pond, in England.

[Q] StevStephen Mooree, you and I both write for children and adults, does the inspiration for books for those audiences come from different places or activities?

[A] That’s a great question, Nancy. You know, for me, the ideas come first. From there I can usually see the path the resulting story will take and the audience it might best be aimed at. Which means, essentially, the inspiration for books for what are very different audiences – children and adults – comes from very different places. For example, the inspiration for Graynelore came about when I discovered I have a direct historical family link to the infamous 16th Century Border Reivers. Family groups who lived on the English/Scottish borders, and considered murder, theft, blackmail and blood feud as all part of their daily lives. To do the idea justice, I knew instantly I was going to be writing for adults and not for children.

[Q] How does it work for you Nancy? And on another theme, we are writers of fantasy, and yet I can see we both have a love for things historical. If this time around it was Border Reivers for me, in your novel Among Wolves you’ve created a uniquely French parallel world. I’m intrigued. How did that come about?

[A] I find that situations often spark an idea for a children’s book. Objects, legends, or Among Wolves final Coverrandom ideas tend to turn me toward the plot for a novel. Sometimes, someone’s name suddenly becomes a character in my mind. I always keep a file of future book titles. I doubt that I will ever live long enough to write all the books floating around in my head. Some people say “So many books, so little time.” I say “Too many plots, so little time!” Among Wolves began in a fabric shop. I saw a bolt of beautiful brown suede cloth and thought it would make a lovely cloak. That made me think of bards travelling the countryside to tell their stories, which made me think of cloaks embroidered with the symbols from various provinces where the bards had learned the tales of a particular region. Provinces made me think of France. If you are getting the idea that my mind is somewhat chaotic – you would be right. The wolves were not an integral part of the plot until I started researching French legends and ran across The Beast of Gevaudan. Of course, I tweaked the legend to suit my purposes.

[Q] Steve, the historical and family ties in your novel has left me dying to read it! How did you manage to balance history and fantasy? Were there some historical aspects that you had to sacrifice for the sake of the story?

Graynelore

[A] Ah, the trick of it is, I haven’t written a book about Northumberland Border Reivers! I’ve written about the fantasy world of Graynelore. In true Reiver style, I’ve stolen their clothes, their lifestyle, their architecture, landscape and society, their gloriously despicable behaviour, and twisted it all to my own ends. That I’m actually living on their doorstep helped keep it real. And I did not so much sacrifice historical aspects as left them un-plundered… for now. And, of course, at its heart Graynelore is a fantasy; a very grown-up faerie tale not for the faint-hearted. If an unforgiving Reiver landscape dresses my world and gives me a sometimes brutal back story, it’s the tale of a mysterious moving Faerie Isle, bloodstained Faerie Rings and perplexing beggar-bards   that drive the narrative.

[Q] For its immediacy and colouring, I chose to tell my story first person, from the point of a view and with the turn of phrase of my central character. Nancy, was there anything in particular that made you choose the perspective of Among Wolves?

[A] I chose to write from Devin’s perspective because, as the main character of Among Wolves, I wanted the reader to see the story through his eyes. We first know him as a quiet, privileged, academic with a strong sense of right and wrong. As the youngest, he is the only one of Vincent Roche’s sons who is not already involved in the intimate mechanics of Llise’s government. He leaves home secretly questioning the written historical records that he safeguards as an apprentice archivist. His initial naivety is rapidly tarnished by the primitive conditions and inequalities he finds in the provinces.

[Q] The world of the Reivers sounds fascinating. Since I haven’t been able to read your novel yet, tell me about your main character. What are his motivations? What does he value most? What about his personality drives him as the pivotal character in Graynelore?

[A] My narrator and main character is one Rogrig Wishard. He’s a fighting-man, a killer, a thief, a blood-soaked reiver, a liar and a coward. How do we know? He tells us so. He solves his problems with his sword and his only loyalty is to his family. And you know what, he likes things that way. It’s only when he discovers he’s carrying faerie blood and starts seeing faeries for real that his world is knocked out of kilter. Fortunately, there’s more to Rogrig than meets the eye and the personal journey he takes during the course of the novel leads to some very surprising revelations. Out of all the many wild and wonderful characters I’ve created this stone-hearted man has got to be one of my favourites.

[Q] How about you Nancy, do have a favourite character? And why?

[A] Devin is certainly a favorite! After all, he is a librarian of sorts and idealistic to boot! Several readers have mentioned that they have enjoyed having a male main character who is not a warrior. I do tend to use young men as my main protagonists, partly because when I was young, men seemed to have more fun! They were cast in all the mysterious and dangerous roles while women were more passive. Of course that has changed, but I think that early programming made a lasting impression on me. I also include strong father figures in my books. My dad died very suddenly when I was only 11. My mum and I were extremely close but I think that wistful yearning for my father influences my writing to this day.

[Q] What about you, Steve? Do any ghosts or issues from your childhood influence your writing?

[A] Hey, does that make your librarian Devin, in some way, a kind of self-portrait? I digress… I have a faded photograph of myself when I was barely eight years old. I’m standing at the gate post of my home and I’m wearing my ragamuffin hitched up jeans complete with holes in the knees. That kid, if he read at all, read British and American comics like ‘The Topper’ and ‘Astounding Tales’, not books! When I first began to write, over thirty years later, I remember looking back on the children’s books I’d read by then (and loved) and thinking to myself, aren’t they all terribly prim and proper and (dare I say it) middle-class. Who is writing books for the kid in that photograph? With that thought in mind I wrote my first book Spilling the Magic. A madcap fantasy adventure complete with floating mountains and flying pigs, narrated by an ordinary young boy, and more to the point, written very much in his everyday English.

[Q] That brings something else to mind… When I write, sometimes it’s just purely for the adventure. Other times I find I have a theme or issue I’d like to try to explore within a story. How about you, Nancy?

Nancy-Wallace-Author-Image-225x300[A] I definitely write for enjoyment, Steve! I agree with you that authors should write what they love to read. Among Wolves is exactly the type of book I would choose off the shelf in a bookstore or from Amazon. All my books are character driven. When I first imagined Devin, he was just a student in a huge archival library. As I expanded on him as a character, the rest just fell into place. I don’t use an outline when I write. I let my characters tell the story. I also don’t like to leave them alone too long because I’m afraid of what they’ll do next! Which brings to me my next question:

[Q] How do you write? Do your characters surprise you, as mine often do or do you use an outline?

[A] How long do we have? When I begin to write it’s with just a pencil and paper and an idea. There’s no starting at the beginning. No plan. I simply write down everything I know about the story I want to write. Words come in chunks or piecemeal. In essence, I go anywhere I like and I do anything I like when I get there. Nothing I write is a mistake and there is no writers block! When I get to the point where I’m ready to progress the book the scribbling stops and the laptop comes out. It’s only then that I begin to shape the book. And it’s not uncommon for me to redraft the manuscript a dozen times or so, to get it just right! As for planning, I like to draw word maps – for story-lining, geography, characters and so on – which develop as the tale develops. They give me an instant visual reference, when there’s just far too much stuff to keep safely inside my head. In a nutshell that’s how I write. And do my characters surprise me? When do they not…! When Rogrig Wishard began to tell his story in Graynelore I was shocked! I could hardly believe some of the things I was writing! Mind, when an author can surprise themselves with their work it’s a truly wonderful moment. You actually feel as if your writing has taken on a life of its own.

[Q] Nancy, I have enjoyed our chat so very much, I feel as if we could go on forever. However, if we have to stop, can I ask you one final question? If I was to sum up Graynelore for you, I’d say… “It’s as a story of divided loyalty. An epic fantasy. A grown-up faerie tale. A blood-soaked mystery! And, in its own twisted way, a kind of love story…” Tell me Nancy, how might you sum up Among Wolves to me?

[A] Your description of your book makes me want to read it even more!! I hope I can be as concise in summing up Among Wolves. How about: “Wolves and assassins, bards and betrayal, and one scholar’s search for truth in a world on the verge of revolution!

You can find Stephen Moore in many places online:

WEBSITE

https://stephenmoorefantasyauthor.wordpress.com/

FACEBOOK

https://www.facebook.com/stephenmooreauthor

TWITTER

https://twitter.com/SMoore_Author

GOODREADS

https://www.goodreads.com/author/show/7166243.Stephen_Moore

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GUEST BLOG FROM A.F.E. SMITH – AUTHOR OF DARKHAVEN

Author_photo_DARKHAVEN_AFE_Smith

A.F.E. Smith is an editor of academic texts by day and a fantasy writer by night. So far, she hasn’t mixed up the two. She lives with her husband and their two young children in a house that someone built to be as creaky as possible – getting to bed without waking the baby is like crossing a nightingale floor. Though she doesn’t have much spare time, she makes space for reading, mainly by not getting enough sleep (she’s powered by chocolate). Her physical bookshelves were stacked two deep long ago, so now she’s busy filling up her e-reader.

What A.F.E. stands for is a closely guarded secret, but you might get it out of her if you offer her enough snacks.

About Darkhaven

Cover_image_DARKHAVEN_AFE_SmithAyla Nightshade never wanted to rule Darkhaven. But her half-brother Myrren – true heir to the throne – hasn’t inherited their family gift, forcing her to take his place.

When this gift leads to Ayla being accused of killing her father, Myrren is the only one to believe her innocent. Does something more sinister than the power to shapeshift lie at the heart of the Nightshade family line?

Now on the run, Ayla must fight to clear her name if she is ever to wear the crown she never wanted and be allowed to return to the home she has always loved.

Book title: DARKHAVEN
Author: A.F.E. Smith
Genre: Fantasy
Publisher: Harper Voyager
Release date: 2 July 2015 (ebook), 14 January 2016 (paperback)
Price: £1.99/$3.99 (ebook)

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Tour homepage: www.afesmith.com/darkhaven-blog-tour

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Never mind Darkhaven, what about …?

“She descended a short flight of steps cut into a sheer rock face, and found herself on a ledge overlooking the lower rings of the city. Tiered roofs stretched down and out, red tiles and golden wood and grey-blue slate. She identified the dark smoke rising from the factories, as well as several lighter puffs of steam – travelling fast – which must be the trams that partly circled the lower rings. Even from here, with four rings behind her and only two ahead, the city merged into the horizon. She couldn’t make out where Arkannen ended and the rest of Mirrorvale began.”

A blog tour can feel rather self-indulgent, what with all the talking about myself and my book. So as part of the tour, I’m presenting a series of posts that recommend other books you might enjoy. Each post picks out some great fantasy novels that have a particular feature in common with Darkhaven.

Today’s list, and perhaps the one I found easiest to complete, is my Top Five books that are set in quirky cities. Because I love books that are set in quirky cities!

Neverwhere – Neil Gaiman9 July image 1

I had to start with this one! This is the book that defines urban fantasy, for me: Richard Mayhew helps an injured girl and finds himself drawn out of the London he knows into a fantastical underworld, London Below. There he meets a whole assortment of characters, faces many trials, and gradually learns to be at home in this strange new world. Of course, London is a city that lends itself to fantasy reimaginings, being complex and atmospheric and simply dripping with history. And ever since I read Neverwhere, I’ve loved the Underground map with a passion. Actually travelling on the Underground can be a cramped and tedious process, but if you can look up at the stops on the line you’re on and remember Night’s Bridge and the Black Friars and the angel Islington … well, it becomes a far more magical experience.

9 July image 2Mortal Engines – Philip Reeve

Since we’re on the subject of London, here’s an even more fantastical version of it. You can’t really beat the opening line of Mortal Engines: “It was a dark, blustery afternoon in spring, and the city of London was chasing a small mining town across the dried-out bed of the old North Sea.” So awesome! I love the idea of these moving cities – cities as predators and prey – and the rest of the book doesn’t disappoint.

The Lies of Locke Lamora – Scott Lynch9 July image 3

Scavenger_day19 liked Locke Lamora for various reasons, but strangely enough, it’s my memory of the setting that has stayed with me more than anything else. Camorr is one of those fantasy cities that feels completely and utterly real – as if the author didn’t invent it so much as live there for years. And the plot takes the characters into various parts of the city, allowing us to discover it naturally. A wonderful example of setting as character.

9 July image 4Viriconium – M. John Harrison

The name of the series and the city that ties it together – and if you want setting as character, here it is in spades! Viriconium itself is pretty much the central character, an unknowable and decaying city that lingers longer in the mind than any of the characters who populate it. The series consists of a set of three novels and several short stories, and it becomes increasingly abstract as the reality of the author’s created world begins to fade. It’s hard to describe Viriconium just a few sentences, but if you like your fantasy weird then this may be the one for you.

The City & the City China Miéville 9 July image 5

And finally, I can’t have a list of quirky cities without mentioning China Miéville. Most of his books feature weird and fascinating cities, but The City & the City is notable for the uniqueness of its concept. Without being too spoilery, the central premise is that the two cities in the book – Beszel and Ul Qoma – coexist in largely the same space, but the inhabitants of each are conditioned to see only their own city and ignore anything that belongs to the other. It’s a wonderfully imaginative book – and, of course, it makes a pertinent point about our own lives and the parts of our society that we consciously or unconsciously choose to ignore.

Note: pretty much any book by Terry Pratchett that’s set in Ankh-Morpork would also make this list, because Ankh-Morpork is another wonderfully vivid fantasy city – though perhaps not so much quirky, because the whole beauty of Ankh-Morpork is how familiar it feels. (Apart from the magic leaks around Unseen University, I guess.) But I already recommended Pratchett in my Top Five books that combine fantasy and murder, so I’d probably better not do it again 🙂

So, did I miss any out? Which books would you suggest?

A.F.E. Smith
Author of DARKHAVEN, coming 2 July 2015 from Harper Voyager
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